Sun. Oct 18th, 2026

Revolting Cocks – Crackin Up

ByPaul Valerio

November 14, 2021 #Alternative Rock,#Industrial

Today’s video of the day is the Revolting Cocks – "Crackin Up" released in 1994.

The Revolting Cocks unleashed “Crackin Up” in 1994, pairing their industrial aggression with biting humor. The song appears on their third studio album, Linger Ficken’ Good, released by Sire Records. The video captures the band’s wild energy and pushes their chaotic style to the front. The group formed in 1985 as a collaboration between Al Jourgensen of Ministry, Belgian musician Luc Van Acker, and Richard 23 of Front 242. Their sound mixed industrial rock, electronic beats, and satirical lyrics. Over the years, the lineup shifted, but the core remained focused on sharp political and cultural commentary.

Linger Ficken’ Good marked a turning point for the Revolting Cocks. Unlike earlier records such as Big Sexy Land (1986) and Beers, Steers, and Queers (1990), this album leaned more toward accessible rock grooves while keeping the band’s trademark wit. “Crackin Up” embodies this shift, blending heavy guitar riffs with a playful, almost unhinged edge. The track highlighted their ability to evolve without losing their identity.

The video for “Crackin Up” stands as a snapshot of the era. It reflects both the absurdity and intensity that made the Revolting Cocks cult favorites. For fans exploring their discography, the song bridges the harsher early work with later experiments. It shows how the band could balance club-ready rhythms with hard industrial power. “Crackin Up” remains a fan favorite because it captures the Revolting Cocks at their most outrageous. The video brings their chaotic humor to life and keeps the spirit of industrial rock alive. For newcomers, it’s the perfect entry point into a band that thrived on pushing boundaries.

Why stop with the Revolting Cocks’ underground music video? Watch over 4k+ Underground Music videos on YouTube at Stigmata Video Dance Party and have your underground dance party anytime.

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By Paul Valerio

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